Pakistan, has a rich history of filmmaking. The
historic city of Lahore was the hub of filmmaking, prior to the partition of
India. It is also said, that the film industry in India was born in Lahore.
After the partition, most of the industry migrated to the Mumbai. But still,
Lahore was home to a significant number of actors, directors and film
producers. The 50s and 60s were the peaks of Pakistani film Industry. They were
in competition and at par with the Indian films of that time.
After the partition,
reconstruction of the film industry in Pakistan was an uphill task but luckily
we had a good number of artists here and they played a very crucial role in
laying a solid foundation of the film industry in the country. The first
Pakistani film Teri Yaad was released in 1948, which was indeed
the first joint effort of Pakistani artists, which was successful. The first
blockbuster film in the early days of the Pakistani cinema wasDo Ansoo, which
released in 1950. Do Ansoo became the first film in Pakistan to
enjoy a 25-week run at the box office, eventually achieving a silver jubilee
status.
The early
days of Pakistani cinema also witnessed the directorial debut of its first
woman film director in the legendary singer and actress Noor Jahan. Released in
1951, the Punjabi film Chanwey, was directed by her.
As film viewership increased exponentially in the country during
this time, Sassi,(1954) went
on to become the first Pakistani film to reach golden jubilee status by
playing 50-weeks on theatres.
Around the same time, the first ever Sindhi language film Umar
Marvi was released in
1956.
In order to celebrate the success of these endeavors, film
journalist Ilyas Rashidi organized an annual film awards event on July 17,
1958. Titled Nigar Awards, the
event has been, since then, considered Pakistan’s premier film awards event,
celebrating outstanding performances in various categories of films and
filmmaking.
The Pakistani film industry
is also known for producing many remarkable and renowned actors, directors,
producers, writers and playback singers. 1956-66 is known to be the golden era
of Pakistani film industry. During this period, many classical films were made
and produced in Pakistan. As of today, Aaina is considered to be the most
successful and popular Pakistani film that was ever made. Released on 18 March
1977, it remains a distinct symbol which stands on the threshold between the
Zulfikar Ali Bhutto years and the increasingly conservative and revolutionary
Muhammad Zia-ul-Haq regime. The film stayed in the cinemas for over 400 weeks.
Not many in Pakistan know
the fact that since the birth of cinema in Pakistan, only two Pakistani films
had been submitted for the Oscar Awards, Foreign Language Film Awards category.
Both submissions were musical-dramas in Urdu. Pakistan’s first Oscar submission
was Jago Hua Swera (The
Day Shall Dawn, 1959). The movie was filmed in Dhaka, East Pakistan
(contemporary Bangladesh) by the East Pakistan Film Development Corporation.
Based on a novel by Bengali novelist Manik Bandopadhaya, the film’s screenplay
was written by Faiz Ahmad Faiz and it was directed by A.J.Kardar. Scripted in
the Urdu language. the film’s storyline was about the daily lives of the
fishermen of East Pakistan and won a major0 award at the Moscow International
Film Festival.
Pakistan’s second and final
Oscar submission, Ghoonghat (The Veil, 1963) was about the
disappearance of a veiled young bride on the day she is scheduled to be married
off to a rich young man. Since 1963, no Pakistani film has been submitted for
Oscars.
The
quality of films, scripts, music, lyics, acting and direction were at its best
during the golden era of the 50s and 60s.. In the major cities of Pakistan,
almost every film attracted a large audience to the movie theaters. Sadly, we
couldn’t manage to continue with the legacy of the rich culture, and hence
began the downfall.
There
were several reasons behind the eroding away of the Pakistani film industry.
One of the major reasons was the Fall of Dhaka. It came as a rude and
destructive jolt to the Pakistani film industry. At the same time, the mid-70s
saw the introduction of video cassette recorders in Pakistan and instantly
films from all over the world were copied(pirated) onto tapes, and attendance
at cinemas dwindled as people preferred to watch Indian films in the comfort of
their homes. This ushered in video piracy in Pakistan. Films began to be copied
on tapes on the day they hit the cinemas
After a disastrous 2010, fans of Pakistani cinema got
its first Urdu language film Khamosh
Raho, starring Juggan Kazim and Shaan, directed by Altaf
Hussain, in 2011. Unfortunately it was a disaster on big screen and bombed at
the box-office. Later in June this year, Shoaib Mansoor released his
second film Bol as a
director. The film, starring Atif Aslam, Humaima Abbasi, Mahira
Khan and Iman Ali in lead roles, broke all previous
records and became the highest grossing movie of Pakistan.
While Bol was receiving an outstanding appreciation and tasting
success, two more Urdu language movies Love Mein
Ghum and Bhai Log released.
Both films were Eid gifts to the whole nation and were welcomed warmly by the
Pakistani audience.
This year we also witnessed the release of the controversial film Slackistan. However,
the film didn’t hit the theaters in Pakistan as the director refused to
make any cuts to the film as requested by the country’s Central Board of
Film Censors (CBFC). According to The
Guardian, the CBFC objected to the movie because it had swear words
in English and Urdu, and “contains the words ‘Taliban’ and ‘lesbian’”.
Pakistan film industry is passing through a period of transition,
where a whole new generation is replacing the previous one. New faces are
emerging in the movie industry, which is a healthy sign. Unique and tabooed
issues are being brought into the limelight via the storytelling on silver
screen. No doubt it is a positive change and we can hope that within few years
young Pakistani filmmakers will totally change the old concepts of filmmaking.
It is too early to claim any success but at least it is safe to predict that
our film industry is moving in the right direction. Upcoming films like “Gidh”,“Waar”, “The Dusk”, “Freedom Sound” and “Kolachi” can bring
in remarkable change to the film industry of Pakistan.
By :WALEED SHEIKH
11Uo716
Sec
: “I”